EVERYBODY GET TOGETHER: Rubber Udder has rolled out another album, much to everyone’s delight. The new record, titled Laryngeal Bacterium Foamage Up the Spitwad Crux of the Post-Nasular Region, is set to be affectionately known as “Laryngeal” for the sake of simplicity. This album marks a significant shift for the band, as it firmly plants its roots in the rock tradition. Kicking off with the blues-influenced “Sick Again,” the album transitions seamlessly into tracks like “Supermuff Bigfuzz,” a nod to the iconic sound of Mudhoney. The blend of styles culminates in “Species/Feces,” which leads into the ethereal “The Beef Industry.” These tracks showcase a band that’s both explorative and traditional, not afraid to venture into eclectic territories like the sludgy “Hitting Concrete at 138 Miles Per Hour.” For a taste of this dynamic soundscape, you can check it out at rubberudder.bandcamp.com.
CAN’T KEEP A GOOD BRAND DOWN: Kindercore is rising once again, resilient as a phoenix, and set to host Expo2026: 30 Years Of Kindercore. This three-day extravaganza, taking place from May 7 to 9 at the 40 Watt Club, recalls the iconic Expo2000 event while bringing both legacy acts and fresh talent into the fold. Standout names on the lineup include Maserati, I Am The World Trade Center, and Elf Power among others. Tickets are priced affordably at $25 per night in advance or $60 for the full three-day experience. To grab your tickets and experience the nostalgia of Athens’ vibrant music scene, visit 40watt.com.
THE DEEP END: After a lengthy hiatus, Anne Richmond Boston graces the music scene with her second solo album, just released last month by Atlanta’s DB Records. Known for her melodic mastery and unwavering vocal steadiness, the album opens with “I Should Be Happy,” contrasting upbeat sounds with ironic lyrics—a storytelling technique reminiscent of Randy Newman. As the album unfolds, tracks like “Give In” delve deeper into the emotional spectrum, showcasing Boston’s strength and vulnerability. With a rich credit list that features notable musicians, this collection invites listeners to immerse themselves without trying to dissect each song. Her album is available on compact disc and vinyl, offering a tangible way to engage with her work; explore it at annerichmondboston.bandcamp.com.
KLING, GLÖCKCHEN: The Athens music scene is renowned for its creativity and transformation. One such example is Womannheim Steamroller, an all-female tribute to the formidable Mannheim Steamroller. This group will be performing three shows, beginning with two sets at Buvez on December 5, followed by an intimate barn performance on December 19. In addition to their unique sound, the band will be accompanied by the Athens Cowboy Choir at the barn show, promising an entertaining evening of music. For details about their upcoming shows, check out womannheimsteamroller.my.canva.site.
SITTING ‘ROUND AT HOME: It’s clear that Christmas has historically held a special place in the Athens music scene, with the Flagpole Christmas Album being a prime example. While that spirit has waned, veteran rockers Five Eight continue to honor this tradition with a new Christmas single titled “Christmas Without You,” a collaboration with James Hall from Mary My Hope. Set to release on December 5, this R&B-styled track aims to resonate with listeners during the holiday season, and you can find it on your favorite music platforms.
AND, RELATEDLY: Don’t miss the annual Strung Out Like The Lights at Christmas benefit, taking place on December 5 at the Marigold Auditorium in Winterville. This event, the brainchild of Winterville’s mayor and musician Dodd Ferrelle, showcases local talents like Ferrelle & The Wintervillains and Five Eight, contributing to a good cause for Athens Area Homeless Shelter and Nuçi’s Space. Tickets are very reasonably priced at $19.41 in advance, or $20 at the door. For more details, visit facebook.com/AubreyEntertainmentAthensGA.
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